Take Me : I'm Yours

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BY Carl Freedman in Reviews 08 JUN 95 'Take Me I'm Yours ' attempts to restructure the relationship between art and the viewer through redefining art as a cultural activity that functions in a comparable manner to other areas of everyday life. The exhibition offers the viewer alternative forms of interaction with the artworks, based on the tenuous presupposition that art cannot be fully experienced using simply the eyes, the mind, and the soul. The show's curator, Hans-Ulrich Obrist, argues that with the removal of the normal barriers and boundaries associated with the exhibition of art, the viewer has the opportunity of increased access to the art work's essential meaning. Sadly, the result is a hotchpotch of gimmicky ideas with little coherence or consistency and repeated contradictions of the claimed fundamental 'rejection of the preciousness of the original'. In many instances, the 'real' art works are presented in the usual 'do not touch' form, whilst the viewers' participation is rewarded with some worthless gesture or rubbish souvenir.

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